Jahr |
Titel |
Institution |
Land |
|
Natürlich – Schatzkammer Sammlung #9 |
Kunstmuseum Olten |
|
2024 |
Giardino di Acclimatazione |
Museo Villa dei Cedri, Bellinzona |
Switzerland |
2022 |
Publication: Concerning the human-made sky |
Nidwaldner Museum, Stans |
Switzerland |
2024 |
CERN – Art and Science Summit |
CERN |
Switzerland |
2024 |
Apropos Hodler – Current Perspectives on an Icon |
Kunsthaus, Zurich |
Switzerland |
2024 |
What if? Songs from Tomorrowlands |
Institut for Land and Environmental Art |
Switzerland |
2023 |
Solarity Prospects |
Arsenal – Institute for Film and Video Art, Berlin |
Germany |
2023, ongoing |
Self and World – Works from the Collection |
Nidwaldnen Museum |
Switzerland |
2023 |
Le Souvenir de Venise |
Biennale de l'Art et de la Nature Urbaine |
Switzerland |
2022 |
Art Acquisitions by the City of Zurich 2018–2021 |
Helmhaus Zurich |
Switzerland |
2022 |
Art auction for the benefit of refugees |
F+F School of Art and Design |
Switzerland |
2022 |
Homosphere |
Kunsthalle Mainz |
Germany |
2022 |
Genova, a fragile city |
Palazzo Ducale, Genoa |
Italy |
2022 |
Uossa o mai – Now or Never |
Kunsthalle Fundaziun Nairs |
Switzerland |
2022 |
Concerning the Human-Made Sky |
Nidwalden Museum |
Switzerland |
2021 |
Sweet Turn |
Steindruckerei Wolfensberger |
Switzerland |
2022 |
Nimmersatt? Imagining Society without Growth |
LWL-Landesmuseum für Kunst und Kulturgeschichte |
Germany |
2021 |
Which Irrationality Gives Strength? Villa Bleuler Talk |
Swiss Institute for Art Research (SIK-ISEA) |
Switzerland |
2021 |
Rotonda di San Martino |
Fondazione Ordine degli Architetti della Provincia di Genova |
Italy |
2022 |
Pictures-Heaven and Sky-Pictures #1–#4 |
Wallfahrtskirche Hergiswald |
Switzerland |
2021 |
Art as Connection |
Aargauer Kunsthaus |
Switzerland |
2021 |
Low Tech |
Centre culturel Forum Meyrin |
Switzerland |
2021 |
Along the beautiful river Aare |
Kunstmuseum Olten |
Switzerland |
2021 |
Memory. About remembering and forgetting in unusual times |
Kunstmuseum Olten |
Switzerland |
2021 |
Solar Imaginaries at Penn Program in Environmental Humanities |
University of Pennsylvania |
USA |
2020 |
Bonus Track 06 |
Kunsthaus Aussersihl |
Switzerland |
2021 |
Acoustic Sky Funnel Locators |
Temporary Chapel Winterthur-Veltheim |
Switzerland |
2021 |
Sharity – share, exchange, do without |
Kunst(Zeug)Haus |
Switzerland |
2020 |
Renewable Media |
Kunstverein Wolfsburg |
Germany |
2020 |
Why the Colour of the Sky Matters: Breaking Patterns #2 with Hemauer/Keller, Mirjam Varadinis and Jurczok 1001 |
art-werk |
Zoom-Webinar |
2021, ongoing |
Observing Human Skies (Belgrade), 2021 |
Museum of Contemporary Art Belgrade |
Serbia |
2020 |
La Partenza (Le cube) |
Valais School of Art / TLH |
Switzerland |
2019 |
Caravan (missing collages by Hannah Höch) |
Kunsthalle Memmingen |
Germany |
2018 |
Standard Observer Deviation (Categories by Abhijit Sarkar) |
Kunsthalle Arbon |
Switzerland |
2018 |
Wärme tauschen (Exchange Heat) |
Altes Dampfbad, Baden-Baden |
Germany |
2007 |
A Curiosity, a Museum Piece and an Example of a Road not Taken |
Fri-Art - Center of Contemporary Art Fribourg |
Switzerland, Germany, Spain, United Kingdom, Belgium |
2017 |
Not Yet Titled (Succulence) |
Dreier Frenzel, Architektur |
Switzerland |
2017, ongoing |
Relative Humidity – Relative Humanity (Prototype) |
Masein Mountain College |
Switzerland |
2014 |
Aare-Ticino |
Kunstmuseum Olten |
Switzerland |
2017 |
Untitled (blue) |
CAPC musée d’art contemporain de Bordeaux |
France |
2016 |
La Partenza |
Art Collection of the Canton of Zurich |
Switzerland |
2007, ongoing |
The Rocket for the Rest of Us |
San Francisco Art Institute |
USA |
2011 |
United Alternative Energies |
Kunsthal Aarhus |
Denmark |
2008 |
Summer Tree Dream |
Kunstmuseum Thurgau |
Switzerland, Germany |
2011 |
Spirit of Hope |
Bex & Arts |
Switzerland |
2006 |
Reclaim the Future |
|
Switzerland |
2014 |
Noch sind wir in Europa [We are still in Europe] |
Kunstmuseum Olten |
Switzerland |
2006, ongoing |
Postpetrolism Was Heralded Here on 27 April 2006 |
Kunsthof Zurich |
Switzerland, Germany, Denmark, United Kingdom |
2008 |
L’Energia siamo noi (We Are Energy) – Studio Frauenfeld |
Neuer Shed im Eisenwerk, Frauenfeld |
Switzerland |
2008 |
No1 Sun Engine |
11th Cairo International Biennale |
Egypt, Switzerland, France, Belgium |
2010, ongoing |
End of Life – Contribution to the Inefficiency of Poetry |
Winterthurer Lichttage |
Switzerland, Denmark, Germany, Belgium |
2011 |
The Bondage of Electrons |
Shedhalle Zurich |
Switzerland |
2016 |
State of Hope |
Kunsthalle Arbon |
Switzerland |
2013 |
Schwache Ölspuren im Sandstein (Faint Traces of Oil in Sandstone) – Days of an Elapsed Future |
Kunstraum Walcheturm, Zurich |
Switzerland |
2008 |
The Invasion of the Laughing Jackass |
Swiss Art Awards, Swiss Federal Office for Culture |
Switzerland |
2009, ongoing |
Globalising the Internationale |
|
Switzerland, Netherlands, Denmark, Belgium, Spain, Russia |
2015 |
In Direction of Rotation |
Kunstmuseum Olten |
Switzerland |
2016 |
Voyages atmosphériques (Concerning the Blueness of the Sky) |
Centre culturel suisse, Paris |
France, Belgium |
2011 |
Devotional Power |
Swiss Art Awards, Swiss Federal Office for Culture |
Switzerland, Denmark, Germany |
2013 |
Enlightenment in the 20th Century |
Helmhaus Zurich |
Switzerland |
2014 |
The Accursed Water |
Wallis Triennale |
Switzerland |
2013, ongoing |
A Chronology of Energy- and Art-related Developments |
Edizioni Periferia, Luzern |
Switzerland |
2015, ongoing |
Energetic Helmaus Spirit Clearing |
Helmhaus Zurich |
Switzerland, Denmark |
2015 |
In Direction of Rotation. Economy and Art |
Kunstmuseum Olten |
Switzerland |
2015 |
Concerning the Blueness of the Sky |
Cabaret Voltaire, Zurich |
Switzerland |
2015 |
En faire tout un plat (Making a Big Deal of It) |
The Longest Day, Zurich |
Switzerland |
2015 |
In Direction of Rotation (forêt jardinée) |
Môtiers Art |
Switzerland |
2010 |
A Road not Taken |
|
Switzerland, USA, Italy, Canada, Germany, Costa Rica, Spain, Tunisia, Austria, Israel, México, Russia |