Jahr | Titel | Institution | Land |
2006 | Reclaim the Future | | Switzerland |
2011 | United Alternative Energies | Kunsthal Aarhus | Denmark |
2007, ongoing | The Rocket for the Rest of Us | San Francisco Art Institute | USA |
2020 | Renewable Media | Kunstverein Wolfsburg | Germany |
2020 | Bonus Track 06 | Kunsthaus Aussersihl | Switzerland |
2022 | Publication: Concerning the human-made sky | Nidwaldner Museum, Stans | Schweiz |
| Meter above the Sealevel | | |
2008 | The Invasion of the Laughing Jackass | Swiss Art Awards, Swiss Federal Office for Culture | Switzerland |
2013 | Schwache Ölspuren im Sandstein (Faint Traces of Oil in Sandstone) – Days of an Elapsed Future | Kunstraum Walcheturm, Zurich | Switzerland |
2011 | The Bondage of Electrons | Shedhalle Zurich | Switzerland |
2016 | State of Hope | Kunsthalle Arbon | Switzerland |
2010, ongoing | End of Life – Contribution to the Inefficiency of Poetry | Winterthurer Lichttage | Switzerland, Denmark, Germany, Belgium |
2008 | No1 Sun Engine | 11th Cairo International Biennale | Egypt, Switzerland, France, Belgium |
2006, ongoing | Postpetrolism Was Heralded Here on 27 April 2006 | Kunsthof Zurich | Switzerland, Germany, Denmark, United Kingdom |
2008 | L’Energia siamo noi (We Are Energy) – Studio Frauenfeld | Neuer Shed im Eisenwerk, Frauenfeld | Switzerland |
2011 | Spirit of Hope | Bex & Arts | Switzerland |
2008 | Summer Tree Dream | Kunstmuseum Thurgau | Switzerland, Germany |
2021 | Art as Connection | Aargauer Kunsthaus | Switzerland |
2022 | Pictures-Heaven and Sky-Pictures #1–#4 | Wallfahrtskirche Hergiswald | Switzerland |
2023, ongoing | Self and World – Works from the Collection | Nidwaldnen Museum | Switzerland |
2023 | Solarity Prospects | Arsenal – Institute for Film and Video Art, Berlin | Germany |
| Giardino di Acclimatazione | Museo Villa dei Cedri, Bellinzona | |
2010 | A Road not Taken | | Switzerland, USA, Italy, Canada, Germany, Costa Rica, Spain, Tunisia, Austria, Israel, México, Russia |
2014 | Aare-Ticino | Kunstmuseum Olten | Switzerland |
2021 | Rotonda di San Martino | Fondazione Ordine degli Architetti della Provincia di Genova | Italy |
2014 | Noch sind wir in Europa [We are still in Europe] | Kunstmuseum Olten | Switzerland |
2017, ongoing | Relative Humidity – Relative Humanity (Prototype) | Masein Mountain College | Switzerland |
2007 | A Curiosity, a Museum Piece and an Example of a Road not Taken | Fri-Art - Center of Contemporary Art Fribourg | Switzerland, Germany, Spain, United Kingdom, Belgium |
2018 | Wärme tauschen (Exchange Heat) | Altes Dampfbad, Baden-Baden | Germany |
2018 | Standard Observer Deviation (Categories by Abhijit Sarkar) | Kunsthalle Arbon | Switzerland |
2019 | Caravan (missing collages by Hannah Höch) | Kunsthalle Memmingen | Germany |
2021, ongoing | Observing Human Skies (Belgrade), 2021 | Museum of Contemporary Art Belgrade | Serbia |
2020 | Why the Colour of the Sky Matters: Breaking Patterns #2 with Hemauer/Keller, Mirjam Varadinis and Jurczok 1001 | art-werk | Zoom-Webinar |
2021 | Which Irrationality Gives Strength? Villa Bleuler Talk | Swiss Institute for Art Research (SIK-ISEA) | Switzerland |
2022 | Uossa o mai – Now or Never | Kunsthalle Fundaziun Nairs | Switzerland |
2022 | Art Acquisitions by the City of Zurich 2018–2021 | Helmhaus Zurich | Switzerland |
2015 | In Direction of Rotation | Kunstmuseum Olten | Switzerland |
2017 | Not Yet Titled (Succulence) | Dreier Frenzel, Architektur | Switzerland |
2021 | Low Tech | Centre culturel Forum Meyrin | Switzerland |
2016 | Voyages atmosphériques (Concerning the Blueness of the Sky) | Centre culturel suisse, Paris | France, Belgium |
2021 | Sweet Turn | Steindruckerei Wolfensberger | Switzerland |
2022 | Homosphere | Kunsthalle Mainz | Germany |
2024 | Apropos Hodler – Current Perspectives on an Icon | Kunsthaus, Zurich | Switzerland |
| CERN – Art and Science Summit | | |
| A Road Not Taken – Architecture film matinée Vienna | Filmcasino, Wien | |
2021 | Along the beautiful river Aare | Kunstmuseum Olten | Switzerland |
2016 | La Partenza | Art Collection of the Canton of Zurich | Switzerland |
2017 | Untitled (blue) | CAPC musée d’art contemporain de Bordeaux | France |
2021 | Acoustic Sky Funnel Locators | Temporary Chapel Winterthur-Veltheim | Switzerland |
2021 | Solar Imaginaries at Penn Program in Environmental Humanities | University of Pennsylvania | USA |
2022 | Concerning the Human-Made Sky | Nidwalden Museum | Switzerland |
2022 | Art auction for the benefit of refugees | F+F School of Art and Design | Switzerland |
2022 | Genova, a fragile city | Palazzo Ducale, Genoa | Italy |
2023 | Le Souvenir de Venise | Biennale de l'Art et de la Nature Urbaine | Switzerland |
2024 | Art Safiental Biennial | Institut for Land and Environmental Art | Switzerland |
2011 | Devotional Power | Swiss Art Awards, Swiss Federal Office for Culture | Switzerland, Denmark, Germany |
2021 | Sharity – share, exchange, do without | Kunst(Zeug)Haus | Switzerland |
2021 | Memory. About remembering and forgetting in unusual times | Kunstmuseum Olten | Switzerland |
2013 | Enlightenment in the 20th Century | Helmhaus Zurich | Switzerland |
2020 | La Partenza (Le cube) | Valais School of Art / TLH | Switzerland |
2022 | Nimmersatt? Imagining Society without Growth | LWL-Landesmuseum für Kunst und Kulturgeschichte | Germany |
2014 | The Accursed Water | Wallis Triennale | Switzerland |
2013, ongoing | A Chronology of Energy- and Art-related Developments | Edizioni Periferia, Luzern | Switzerland |
2015, ongoing | Energetic Helmaus Spirit Clearing | Helmhaus Zurich | Switzerland, Denmark |
2015 | In Direction of Rotation. Economy and Art | Kunstmuseum Olten | Switzerland |
2015 | Concerning the Blueness of the Sky | Cabaret Voltaire, Zurich | Switzerland |
2015 | En faire tout un plat (Making a Big Deal of It) | The Longest Day, Zurich | Switzerland |
2015 | In Direction of Rotation (forêt jardinée) | Môtiers Art | Switzerland |
2009, ongoing | Globalising the Internationale | | Switzerland, Netherlands, Denmark, Belgium, Spain, Russia |