| Jahr | Titel | Institution | Land |
|---|---|---|---|
| 2021 | Art as Connection | Aargauer Kunsthaus | Switzerland |
| 2020 | Corona Skies (Zürich, Lutherwiese) | Switzerland | |
| 2025, ongoing | Pini di Roma | Art Collection of the Canton of Zurich | Switzerland |
| 2025 | Hinterm Horizont geht’s weiter | Kunstmuseum Olten | Switzerland |
| 2025 | Passage – Art at the Gemmi Pass | SAC Art Exhibition 2025 | Schweiz |
| 2024 | Naturally – Treasure Collection #9 | Kunstmuseum Olten | Switzerland |
| 2023, ongoing | Self and World – Works from the Collection | Nidwaldner Museum | Switzerland |
| 2022 | Art for Zurich | Helmhaus Zurich | Switzerland |
| 2021 | Gebana Swiss Collection | Steindruckerei Wolfensberger | Switzerland |
| 2021 | Art as Connection | Aargauer Kunsthaus | Switzerland |
| 2021 | Along this beautiful river Aare | Kunstmuseum Olten | Switzerland |
| 2021 | Memory. About remembering and forgetting in unusual times | Kunstmuseum Olten | Switzerland |
| 2017 | Voyage, voyage! | Kunstmuseum Olten | Switzerland |
| 2017 | 4.543 billion. The matter of matter | CAPC musée d’art contemporain de Bordeaux | France |
| 2016 | Maritim – Painting and Video | Art Collection of the Canton of Zurich | Switzerland |
| 2008 | Moral Imagination. Current Positions in Contemporary Art in the Face of Global Warming | Kunstmuseum Thurgau | Switzerland |
| 2016 | Grüezi! Bienvenue! Welcome! – Artists See Switzerland | Kunstmuseum Olten | Switzerland |
| 2006, ongoing | Postpetrolism Was Heralded Here on 27 April 2006 | Kunsthof Zurich | Switzerland |
| 2010, ongoing | End of Life – Contribution to the Inefficiency of Poetry | Winterthurer Lichttage | Switzerland |
| 2013 | Schwache Ölspuren im Sandstein – Days of an Elapsed Future | Kunstraum Walcheturm, Zurich | Switzerland |
| 2012 | Swiss Federal Office for Culture | Swiss Art Awards | Switzerland |
| 2015 | In Direction of Rotation. Economy and Art | Kunstmuseum Olten | Switzerland |